The Mariinsky Ballet performed Prokofiev's Cinderella, from October 16th to the 21st, at the Kennedy Center. This performance was in a manner; stark, urban, and modernized. The background set, reminded me, in its drab plainness of the set from the movie, West Side Story.
Act I begins with the evil Stepmother and Stepsisters getting their hair done against a bare warehouse style background. The Stepmother and Stepsisters are larger than the petite and lovely Cinderella. Their clothes consist mainly of ugly neon concoctions or baggy shapeless items, that are of marked difference to Cinderella's flowing, pale, graceful ensemble.
The Stepmother and Stepsisters leave for the ball and Cinderella is transformed by an old haggard drone, (really a faery in disguise) into a beautiful lady. The drone does this by pulling the needed items: dress and slippers, out of an old ratty bag.
Some of the scenes confused me, because in order to show the faery, warning Cinderella of her fate if she does not return before midnight, Cinderella dances out the fate, collapses to the ground and the curtain is pulled. I did not realize this was symbolic of future pretense. The realities of Cinderella's collapse, either eluded me or were not portrayed clearly.
Act II begins at the ball, where the characters and meaning are simpler. The dancers' movements are puppeteered in unison to the point of comedy. The audience laughed repeatedly during Act II as throughout all acts, for the ballet movements often took on a playful cartoonish quality. At least for all the characters except the consistently elegant Cinderella and her Prince Charming.
Cinderella is gorgeous - in white - and dances with her Prince Charming. She leaves at midnight, leaving behind her one glass slipper...
By Sarah Bahl